Press

Here’s what the media has to say about Fauxtown and its artists!

KW-Record Reviews Yim Tin Tam’s Pink Magic

Pink Magic is an unabashedly odd, unpredictable and hugely appealing 47-minute trip through pop, indie rock, reggae and what can only described as Yim Tin Tan — a genre inhabited only by this band. And it is, above all else, infectiously happy.

KW-Record Reviews Childebeast’s Beast Master

The only thing I can say with utter conviction about Childebeast is that their debut album is an adventurous, original and satisfying listen

KW-Record Reviews TriCityMusic.ca (now Fauxtown Records)

For some, it’s signalling the end of the traditional music business. For others, it’s the opportunity to get their music directly to listeners all over the world and, more importantly, get paid directly for it. Either way, there’s no stopping the digital download revolution, and now local artists can join in through a new website

KW-Record Reviews Fauxtown Records

What is Fauxtown? The simple answer is that it’s a local record label. The not-so-simple answer is that it’s “a group of like-minded freaks” who share an “amicable, mafia-like vibe” in a democratic musical collective that’s like “a great, complicated love story.”

KW-Record Reviews The Try Hardz Dirtiest Camelot

There is something admirable about a band that eschews trends, profit motives and all traditional notions of songwriting in order to create something . . . different. And Dirtiest Camelot is indeed different, given its unpredictable mélange of pop, hip hop, spoken word, sampling, and sheer random bleeps-n-blops.

Echo Weekly profiles Lucky Stabb

The band that claims you don’t need to pump your fists in the air  or shout “Hell ya” as you listen are the multi-instrumentalists, film–makers, and music distributors, that create Lucky Stabb.